
Taking its name from the 1992 Abel Ferrara film Bad Lieutenant, Werner Herzog’s new film bears almost no resemblance to the original, grungy cop drama. Do not confuse them; where Harvey Keitel plays a gunslinging cop laden with guilt and remorse, in Nick Cage’s hands, the character becomes a self-conscious amalgam of genre-busting policemen, assembled from bits of everything from Police Academy to Miami Vice to Lethal Weapon, with a bit of Bad Boys-parody thrown in for good measure; where Keitel pursued a nun’s rapist, Cage tracks down the murderer of a Senegalese family; where the original was a straightforward crime drama about a drug-addicted “bad cop,” Bad Lieutenant: Port of Call New Orleans is equal parts a lighthearted reworking of the 90’s police caper, a reflection on the mania of our overstimulated society, and a meditation on coping with catastrophe, that embeds the texture of addiction into every character and point of view. Read more »