Author Archive

Spring Broken

Posted in Review with tags , , , , , on April 12, 2013 by Timothy Parfitt

spring-breakers-movie

Sometimes a movie is more than a movie: sometimes a movie is a music-video inspired fever dream of foaming streams of Keystone Light pouring between bouncy breasts. Spring Breakers is by provocateur Harmony Korine, the mind behind Kids and Gummo. It’s light on plot and heavy on atmosphere, music, bikini-clad youth and nostalgia. The result is sometimes fun, sometimes boring and unlike anything I’ve seen before.

The little plot there is revolves around four college girls who decide they need to go to Spring Break in Ft. Lauderdale, at all costs. I capitalize Spring Break because in this movie, it’s a mindset as much as a week on your calendar. Read more »

Thoughts on the Aurora Century 16 Shooting

Posted in Ruminations and Dedications, Timothy Parfitt on July 23, 2012 by Timothy Parfitt

This past Friday, a gunman burst into a midnight premiere of The Dark Knight Rises and shot and killed over a dozen people, wounding close to sixty. As much as rational thinking tells me to separate the incident from the movie showing that night, I can’t. Before the massacre, advanced reviews described the film as grim and mentally punishing. Why would I want to spend my hard earned money on violent, bad vibes superhero movie, especially one with the stink of tragedy to it?

Like many others, I was swept up by The Dark Knight, the previous chapter of Nolan’s reboot. Heath Ledger’s Joker transcended villain clichés to suggest something closer to a god of destruction, a Shiva born out of the American subconscious. So luminous was the performance that people like James Holmes get obsessed with it, the charismatic nihilism of it.

Ten years ago I was adamant that American movies weren’t dark enough. And while I still enjoy dark and violent movies and books, something about the new Batman sequel repels me. The events of this past weekend felt like the snake catching up with its tail, a horrific conflation of our society’s obsessions with violence, escapism, celebrity, guns and hype. I’m sure many very talented people worked incredibly hard to make The Dark Knight Rises, and that it’s a powerful and well-made film. I for one, though, will be leafing through the listings looking for a purer distraction, preferably something full of singing animals.

HBO Roundup

Posted in Ruminations and Dedications with tags , , , , , , on May 3, 2012 by Timothy Parfitt

I’ve been neglecting the discussion of my primary non-Judge Judy source of entertainment: HBO. I’m powerless against the astronomical production values and frequent nudity. I mean, HBO is classy. Novel-like storytelling and no fake boobs.

Here’s some recaps.

Boardwalk Empire
Season two goes a little hogwild with the whole Oedipal angle. Gutsy move killing off your most likeable character. Like “Mad Men”, this show likes playing with American moralty at an earlier stage of development. The convoluted gangster subplots definitely remind me of “The Sopranos.”


Game Of Thrones
Shakespeare reimagined by Tolkien on a soft-core porno set. Trashy in a lavish way. God knows how many millions of dollars each episode costs. Peter Dinklage is totally solid, and makes up for half-dozen scruffy and handsome indistiguishables.

VEEP
Funny. Nice to see Julie Louis Dreyfus and Tony Hale (Buster from Arrested Development) back on TV. Sometimes I felt like I was laughing sort of inspirationally, like if I show some support, the show will become funnier.

Girls
This is the one everyone has an opinion about, at least on the internet. I watched the first episode and thought it was well written. It reminded me a lot of the kids I went to school with. In fact, I went to college with creator Lena Dunham. I remember lamely flirting with her once. We talked about Prison Break, specifically the bolt-cutter toe amputation at the end of the series premiere.

Narcs Throw the Best Parties: 21 Jump Street

Posted in Pick of the Week, Review with tags , , , , , on March 25, 2012 by Timothy Parfitt

There’s a thin line in comedy between stupid/smart and stupid/stupid. 21 Jump Street humps that line for 90 minutes. Jonah Hill and Channing Tatum’s turn out to have great chemistry, and the writing keeps things fun and inane.

I spent many a prepubescent evening watching the original 21 Jump Street team earnestly break up high-school steroid rings. In the updated version, Smidt (Hill) and Jenko (Tatum) play underachieving cops assigned to go deep undercover to break up a hallucinogenic car freshener ring, led by James Franco’s smirking little brother. Read more »

Post-Humor: Tim and Eric’s Billion Dollar Movie

Posted in Review with tags , , , , on March 17, 2012 by Timothy Parfitt

Tim and Eric’s Billion Dollar Movie is the movie version of an Adult Swim television show. Those who enjoy the show will probably like the movie; I found it to be 80 plus minutes of unmitigated torture.

Tim and Eric’s trademark comedic style involves stilted non-jokes taped in a purposely amateurish visual style. I’m guessing it works better 20 minutes at a time. What little plot there is revolves around Tim and Eric buying a decrepit, garbage and wolf infested mall. I clung like a life-preserver to Read more »

Catch-up: The Interrupters (2011)

Posted in New Classic, Review with tags , , on February 27, 2012 by Timothy Parfitt

PBS’ Frontline showed the documentary The Interrupters recently. It’s a movie that I’ve been trying to see since it premiered earlier in the year. The film focuses on Ceasefire, and Chicago organization that tries to intercede and prevent intercity violence. They do so by dispatching “Interrupters,” former gang members with street cred to spare, to talk to family and friends of victims to prevent them from retaliating. It’s dangerous and controversial work, and makes for compelling cinema. Read more »

Abs and Angst: Warrior

Posted in Catch-up with tags , , on February 3, 2012 by Timothy Parfitt

Yesterday, I watched Warrior on-demand. I had heard from several reputable sources that the movie was solid, plus I love Nick Nolte, so the decision wasn’t that hard. And as it turns out, Warrior is totally solid, a predictable-yet-endearing reimagining of Rocky for the Great Recession.

The film follows two brothers, Brendan (Joel Edgarton) and Tommy (Tom Hardy), who were separated 15 years earlier upon their parents’ divorce. Both have fallen on tough times, with high-school physics teacher Brendan facing foreclosure and Tommy struggling with daddy-issues and pills. So, they turn to the most obvious way to improve their stations in life: cage fighting! Read more »

Putting Up Bricks: Contraband

Posted in Review with tags , , , on January 16, 2012 by Timothy Parfitt

 

I expended a lot of friend-capital convincing my companions to go see this movie. This involved doing impressions of Mark Wahlberg saying “No es bueno” in his tough-guy doofus voice, as shown in the preview. Unfortunately, this was all for naught, since the movie is totally mediocre. Not good enough to be enjoyable on its own merits, not quite bad enough to laugh at.

Turns out the movie is a remake of an Icelandic film,  Reykjavík-Rotterdam. I’m guessing the original is better. Or at least I hope it is. Anyways, the plot of the Marky Mark version centers around Chris Farraday, a home-security installer who used to be really good at hiding contraband while working on massive freight ships. He’s worked his way out, but due to his stone-cold stupid brother-in-law, he comes to owe money to Tim Briggs (Giovanni Ribisi), a local gangster. Ribisi is truly, startlingly bad. Worst of all, you can tell he thinks he’s doing a good job.

Other things that keep Contraband from being good, believable, or bearable Read more »

Catch-Up: Pickpocket (1959)

Posted in Catch-up with tags , , , on January 16, 2012 by Timothy Parfitt

I was in New York this past weekend, and had the good fortune to catch the Bresson retrospective at the Film Forum. The movie I saw was Pickpocket, a tale of crime, sin and sexual longing. Being such a full-fledged film dork, I’m slightly ashamed to admit this was the first Bresson film I’ve seen. But if I understand his legacy correctly, Pickpocket was in line with his other great works: deliberately paced,  layered of morality, beautiful and slightly mysterious.

In the film, Michel (Martin LaSalle) starts stealing wallets and purses to support his existential lifestyle, which features lots of diary keeping and sick-mother-ignoring. Read more »

Dialogue is Overrated: The Artist

Posted in Review with tags , , , on January 7, 2012 by Timothy Parfitt

A French movie directed by a Frenchman, starring French movie stars, produced by the Weinsteins, The Artist was a big hit at various festivals this past year. It’s a silent movie about the end of silent movies, and it features a cute dog very prominently. Some people might be bored to tears by this movie, but personally I loved it. The music’s great, the performances are spot-on, and even the dog thing works. There’s something refreshing about seeing actors emoting with dramatic facial expressions, and not being barraged by mediocre dialogue and distracting soundtracks. So far this is my favorite Oscar bait of the season.

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